All Georges Seurat 's Paintings
The Painting Names Are Sorted From A to Z

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Choice ID Image  Paintings (From A to Z)       Details 
11568 Model  Model   Back View,1887 9 3/4'' x 6''(24.5 x 15 cm)
11569 Model  Model   Front View,1887(Salon des Independants,1887) 9 3/4'' x 6 1/4''(25 x 16 cm)
11570 Model  Model   Profile View,1887(Salon des Independants,1890) 9 3/4'' x 6 1/4''(25 x 16 cm)
33973 Model  Model   mk87 Front View 1887 Oil on panel 26x17cm Paris,Musee d'orsay
54158 Model Form Behind  Model Form Behind   mk235 Oil on panel 24.5x15.5cm
21494 Model,Front View (mk09)  Model,Front View (mk09)   1887 (study for "The Models") Oil on panel,26 x 17 cm Paris,Musee d'Orsay
93688 Morgenspaziergang  Morgenspaziergang   1885(1885) Medium oil on panel Dimensions Deutsch: 24,9 x 15,7 cm cjr
67506 parispromenad  parispromenad   1886 se
35818 Personality in the Landscape  Personality in the Landscape   mk106 1882 15.7x25cm
35819 Piling Farmer  Piling Farmer   mk06 about 1882 15x25cm
95501 Port en Bessin  Port en Bessin   1888(1888) Medium oil on canvas Dimensions 76 x 82 cm cyf
3853 Port en Bessin, Sunday  Port en Bessin, Sunday   1888 Kroller-Muller Museum, Otterlo
3857 Port en Bessin, Sunday  Port en Bessin, Sunday   1888 Kroller-Muller Museum, Otterlo
11567 Port-en-Bessin  Port-en-Bessin   Outer Harbor,High Tide,1888 2' x 2' 8 1/4''(61 x 82 cm)
30847 Port-en-Bessin,Entrance to the Harbor  Port-en-Bessin,Entrance to the Harbor   mk68 Oil on canvas New York Museum of Modern Art 1888 France
34604 Port-en-Bessin,Les Grues et la Percee  Port-en-Bessin,Les Grues et la Percee   mk94 1888
54157 Seated Female Nude  Seated Female Nude   mk235 c.1886/87 Oil on panel 25.4x16.2cm
35871 Seine-s Dusk  Seine-s Dusk   mk106 1886 Oil on canvas 64.2x80cm
89017 Sitzender Mann  Sitzender Mann   c. 1883(1883) Medium Oil on wood Dimensions 17 x 26,5 cm cjr
35825 Spring  Spring   mk106 about 1884 25x16cm
54159 Standing Female Nude  Standing Female Nude   mk235 1887 Oil on panel 25.4x16.2cm
54160 Standing Female Nude  Standing Female Nude   mk235 1887 Oil on panel 25x16cm
11563 Study for A Bathing Place at Asnieres  Study for A Bathing Place at Asnieres   1883 6'' x 9 3/4''(15.5 x 25 cm)Gift of Baroness Eva Gebhard-Gougaud,1965
11564 Study for A Sunday on the Grande Jatte  Study for A Sunday on the Grande Jatte   1884-1885 6'' x 9 3/4''(15.5 x 25 cm)Gift of Therese and Georges-Henri Riviere,1948
35865 Study for Circus  Study for Circus   mk106 1890-1891 55x46cm
35465 Study for Le Bec du Hoc,Grandcampe  Study for Le Bec du Hoc,Grandcampe   mk103 1895 Oil on panel 15.6x24.5
11566 Study for The Circus  Study for The Circus   1891 1' 9 3/4'' x 1' 6''(55 x 46 cm)
35828 Suburb  Suburb   mk106 about 1883 32.2x41cm
21497 Sunday Afternoon of the Island of La Grande Jatte (mk09)  Sunday Afternoon of the Island of La Grande Jatte (mk09)   1884-1886 Oil on canvas,206.4 x 30.4 cm Chicago(IL),The Art Institure of Chicago
40785 Sunday Afternoon on La Grande Jatte  Sunday Afternoon on La Grande Jatte   mk156 1884-86 Oil on canvas 207.5x308cm
3847 Sunday Afternoon on the Island of La Grande Jatte  Sunday Afternoon on the Island of La Grande Jatte   1886 Art Institute of Chicago
33975 Sunday Afternoon on the Island of La Grande Jatte  Sunday Afternoon on the Island of La Grande Jatte   mk87 1884-1886 Oil on canvas 206.4x305.4cm Chicago
60765 Sunday Afternoon on the Island of La Grande Jatte,  Sunday Afternoon on the Island of La Grande Jatte,   Sunday Afternoon on the Island of La Grande Jatte, 1884-1886, The Art Institute of Chicago.
23493 Sunday Afternoon on the island of the Grande Jatte (nn03)  Sunday Afternoon on the island of the Grande Jatte (nn03)   1884-6 Oil on canvas 202 x 300 cm 81 x 120 1/2 in Art Institute of Chicago Chicago IL
56669 taskspelarna  taskspelarna   mk248 en underbart atmosfarrik, skickligt komponerad bild av ett resand teatersallskap, vars olje ocb gaslyktor lyser upp uinterkvaallens morker ocb frestar publiken att uppleva en stunds underballende verkligbetsflykt.
48771 The Boy Wearing hat on the ground  The Boy Wearing hat on the ground   mk191 Oil on canvas
35873 The Bridge of Port en bessin and Seawall  The Bridge of Port en bessin and Seawall   mk106 1888 67x84.5cm
54161 The Cicus Parade  The Cicus Parade   mk235 c.1887/88 Oil on canvas 99.7x150cm
3850 The Circus  The Circus   1890-91 Musee d'Orsay, Paris
11571 The Circus  The Circus   1891(Salon des Independants,1891) 6' 1'' x 5'(185.5 x 152.5 cm)Bequest of John Quinn,1924
30859 The Circus  The Circus   mk68 Oil on canvas Paris,Orsay Museum 1890-1891 France
40816 The Circus  The Circus   mk156 1891 Oil on canvas 185.5x152.5cm
45931 The circus  The circus   mk178 1891 oils on linen 185.5x152.2cm
54196 The Circus  The Circus   mk235 1891 Oil on canvas 185.5x152.5cm
60769 The Circus,  The Circus,   The Circus, 1891, Mus??e d'Orsay Paris
35824 The Countrywoman in the work  The Countrywoman in the work   mk106 1882-1883 38.5x46.2cm
35827 The Countrywoman sat on the Lawn  The Countrywoman sat on the Lawn   mk106 1882 38x45.7cm
35868 The Dock of Corner  The Dock of Corner   mk106 1886 Oil on canvas 81x65cm
3854 The Eiffel Tower  The Eiffel Tower   1889 The Fine Arts Museum of San Francisco
35879 The Flux of Port en bessin  The Flux of Port en bessin   mk106 1888 Oil on canvas 68x82cm
35844 The Grand Jatte of Landscape  The Grand Jatte of Landscape   mk106 1884 64.7x81.2cm
35842 The Grand Jatte of Sunday afternoon  The Grand Jatte of Sunday afternoon   mk106 1884-1885 70.5x104cm
35843 The Grand Jatte of Sunday afternoon  The Grand Jatte of Sunday afternoon   mk106 1884-1885 15.5x25cm
35845 The Grand Jatte of Sunday afternoon  The Grand Jatte of Sunday afternoon   mk106 1884-1885 15.9x25cm
35847 The Grand Jatte of Sunday afternoon  The Grand Jatte of Sunday afternoon   mk106 1884-1885 16x25cm
35849 The Grand Jatte of Sunday afternoon  The Grand Jatte of Sunday afternoon   mk106 1886 225x340cm
35850 The Grand Jatte of Sunday afternoon  The Grand Jatte of Sunday afternoon   mk106 1886 340x225cm
35851 The Grand Jatte of Sunday afternoon  The Grand Jatte of Sunday afternoon   mk106 1884-1885 15.2x24.7cm
54130 The Harbour at Honfleur  The Harbour at Honfleur   mk235 1886 Oil onc anvas 79.5x63cm
35820 The Harness Carriage  The Harness Carriage   mk106 about 1883 33x41cm
54131 The Honfleur  The Honfleur   mk235 1886 Oil on canvas 53x63.5cm
35875 The Landscape of Port en bessin  The Landscape of Port en bessin   mk106 1888 Oil on canvas 67.4x81.5cm
54128 The Lighthouse at Honfleur  The Lighthouse at Honfleur   mk235 1886 Oil ncanvas 66.7x81.9cm
11565 The Little Peasant in Blue  The Little Peasant in Blue   The Jockey ca 1882 1' 6'' x 1' 3''(46 x 38 cm)Gift of Robert Schmit,1982
97495 The Maria at Honfleur  The Maria at Honfleur   1886(1886) Medium oil on canvas Dimensions 53 x 63.5 cm cyf
54162 The Models  The Models   mk235 1888 Oil on canvas 39.4x48.7cm
60767 The Models,  The Models,   The Models, 1888, Barnes Foundation, Merion, PA
90753 The Outer Harbor  The Outer Harbor   1888(1888) Medium oil on canvas Dimensions 21 3/8 x 26 1/4 in. (54.3 x 66.7 cm) cjr
35826 The Peasant Hoe Soil  The Peasant Hoe Soil   mk106 1882 16.3x56cm
35834 The Person is Sitting or Lying and black horse  The Person is Sitting or Lying and black horse   mk106 1883 16x25cm
35835 The Person sat on the Lawn  The Person sat on the Lawn   mk106 1884-1885 15.5x24.9cm
35856 The Post of Woman  The Post of Woman   mk106 1887 200x250cm
35857 The Post of Woman  The Post of Woman   mk106 1887 200x250cm
35858 The Post of Woman  The Post of Woman   mk106 1888 39.4x48.7cm
35876 The Reflux of Port en bessin  The Reflux of Port en bessin   mk106 1888 Oil on canvas 53.5x65.7cm
87000 The river Seine at La Grande-Jatte  The river Seine at La Grande-Jatte   Date 1888(1888) Medium Oil on canvas cjr
91856 The river Seine at La Grande-Jatte  The river Seine at La Grande-Jatte   1888(1888) Medium oil on canvas cyf
35853 The Sail boat  The Sail boat   mk106 1885 65.1x81cm
35822 The Samll Peasant in blue  The Samll Peasant in blue   mk106 about 1882 46x38cm
35838 The seated Teenager  The seated Teenager   mk106 1883-1884 31.7x24.7cm
3849 The Siene at La Grande Jatte  The Siene at La Grande Jatte   1888
35821 The small Peasant sat on the lawn of the Pasture  The small Peasant sat on the lawn of the Pasture   mk106 1882 65x81cm
35880 The Sunday of Port en bessin  The Sunday of Port en bessin   mk106 1888 Oil on canvas 66x82cm
35829 The Worker Break up the Stone  The Worker Break up the Stone   mk106 about 1884 16x25.2cm
35837 The Youngster Wearing hat sat on the Lawn  The Youngster Wearing hat sat on the Lawn   mk106 1883-1884 24x30cm
35832 Two Sides of the river  Two Sides of the river   mk105 1883 15.9x24.8cm
72948 Two Stonebreakers  Two Stonebreakers   "Two Stonebreakers (formerly called Deux Moissoneurs)", oil on panel, by the French painter Georges Seurat. 6 in. x 9 3/4 in. Yale University Art Gallery, gift of Walter J. Kohler, B.A. 1925. Courtesy of Yale University, New Haven, Conn. cjr
74757 Two Stonebreakers  Two Stonebreakers   English: "Two Stonebreakers (formerly called Deux Moissoneurs)", oil on panel, by the French painter Georges Seurat. 6 in. x 9 3/4 in. Yale University Art Gallery, gift of Walter J. Kohler, B.A. 1925. Courtesy of Yale University, New Haven, Conn. Date circa 1881 cyf
35833 Underwater Horse  Underwater Horse   mk106 about 1883 15x24.7cm
68039 ung kvinna som pudrar sig  ung kvinna som pudrar sig   1889/1890 se
72949 Vache noire dans un Pre  Vache noire dans un Pre   "Vache noire dans un PrX (Black Cow in a Meadow)," oil on panel, by the French artist Georges Seurat. 6 1/8 in. x 9 1/2 in. Yale University Art Gallery, gift of Walter J. Kohler, B.A. 1925. Courtesy of Yale University, New Haven, Conn. cjr
74758 Vache noire dans un Pre  Vache noire dans un Pre   English: "Vache noire dans un Pre (Black Cow in a Meadow)," oil on panel, by the French artist Georges Seurat. 6 1/8 in. x 9 1/2 in. Yale University Art Gallery, gift of Walter J. Kohler, B.A. 1925. Courtesy of Yale University, New Haven, Conn. Date ca. 1881 cyf
35846 Walk with the Monkey  Walk with the Monkey   mk106 1884-1885 24.7x15.7cm
54108 Watering can  Watering can   mk235 1883 24.4x15.5cm Oil on canvas
94099 Weibes und schwarzes Pferd im Flub  Weibes und schwarzes Pferd im Flub   c. 1883 Medium oil on panel Dimensions Deutsch: 15 x 24,8 cm cjr
3851 Young Woman Powdering Herself  Young Woman Powdering Herself   1888-90 Courtauld Institute, London
35862 Young Woman Powdering Herself  Young Woman Powdering Herself   mk106 188-1889 94x79.5cm
54184 Young woman Powdering Herself  Young woman Powdering Herself   mk235 c.1889/90 Oil on canvas 95.5x79.5cm
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Georges Seurat
French Pointillist Painter, 1859-1891 Georges-Pierre Seurat (2 December 1859 ?C 29 March 1891) was a French painter and draftsman. His large work Sunday Afternoon on the Island of La Grande Jatte, his most famous painting, altered the direction of modern art by initiating Neo-impressionism, and is one of the icons of 19th century painting Seurat took to heart the color theorists' notion of a scientific approach to painting. Seurat believed that a painter could use color to create harmony and emotion in art in the same way that a musician uses counterpoint and variation to create harmony in music. Seurat theorized that the scientific application of color was like any other natural law, and he was driven to prove this conjecture. He thought that the knowledge of perception and optical laws could be used to create a new language of art based on its own set of heuristics and he set out to show this language using lines, color intensity and color schema. Seurat called this language Chromoluminarism. His letter to Maurice Beaubourg in 1890 captures his feelings about the scientific approach to emotion and harmony. He says "Art is Harmony. Harmony is the analogy of the contrary and of similar elements of tone, of color and of line, considered according to their dominance and under the influence of light, in gay, calm or sad combinations". Seurat's theories can be summarized as follows: The emotion of gaiety can be achieved by the domination of luminous hues, by the predominance of warm colors, and by the use of lines directed upward. Calm is achieved through an equivalence/balance of the use of the light and the dark, by the balance of warm and cold colors, and by lines that are horizontal. Sadness is achieved by using dark and cold colors and by lines pointing downwards.

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